Long considered one of Britain's finest stage actors, Sir Ian McKellen has defied the conventional wisdom that being openly gay could either pigeonhole you or destroy your career. In fact, since coming out during a BBC radio broadcast in 1988, Sir Ian has been knighted for his services to the theatre and gone on to become an unlikely movie star.
"Some people say my acting's improved," he says. "I wouldn't be surprised, because everything in my life's improved. You're not censoring your emotions in any way I find it easier to cry and easier to be happy."
Born in Burnley in 1939, and raised in Wigan and Bolton in northern England, Ian Murray McKellen knew from an early age he wanted to be an actor. His parents actively encouraged his thespian ambitions, buying him a toy theatre when he was seven in which he used to stage plays. After discovering Shakespeare, thanks largely to his sister, Ian trod the boards in school productions of classics such as Twelfth Night
, and spent his summer holidays at camps in Shakespeare's home town of Stratford-upon-Avon. Then, while studying English Literature at Cambridge in the late-Fifties and early-Sixties, Ian went on to appear in 21 undergraduate productions with other future luminaries of British theatre, Derek Jacobi and Trevor Nunn.
After graduating from Cambridge in 1961, Ian plied his trade in the provinces before joining the National Theatre four years later. With his tall, lean figure, and heavy eyebrows, the actor was not what most would call conventionally handsome, but he proved a powerful and dynamic stage presence, notably opposite Maggie Smith in Much Ado About Nothing
in 1965. Two years later, Ian's breakthrough lead came alongside Judi Dench
in the Russian play The Promise
Although he made an appearance on US TV in a serialised production of David Copperfield
in 1966, Ian spent most of the next two decades treading the boards. He amassed numerous accolades along the way including a Tony Award in 1981 for his Broadway portrayal of Salieri in Amadeus
. The award prompted offers for both TV and film roles, and he made his first foray into cinema in 1983 in the oddball thriller The Keep
. However, it would not be until 1989 after his very public coming out that Ian truly made the cross-over from stage to screen playing John Profumo, a real-life politician brought down by a notorious heterosexual Sixties sex debacle, in 1989's Scandal
In 1995, Ian brought his Thirties-set stage adaptation of Richard III
to the big screen to wide acclaim. Three years later, he earned his first Oscar nomination for a stunning portrayal of horror-movie guru James Whale the expatriate director who made the 1931 classic Frankenstein
in Bill Condon's Gods And Monsters
Rather than taking advantage of his screen success, Ian returned to the theatre, first in a Los Angeles production of Ibsen's An Enemy Of The People
and then a 1998/9 season of productions in Leeds, England, that included The Tempest
and The Seagull
Ian returned to the glitzy world of Hollywood in 2000 to appear as Magneto in Bryan Singer's long-awaited X-Men
feature. The same year, he signed on for another much anticipated production, The Lord Of The Rings
trilogy. Ian's portrayal of the wizard Gandalf in the first of the three films garnered him a second Oscar-nomination in 2002. His role as the eccentric Sir Leigh Teabing in the eagerly-awaited screen version Dan Brown's bestseller The Da Vinci Code
further cemented his position as one of the UK's most important actors.
His new-found acclaim has particular significance for Ian. "Six years ago," he said after his first Oscar nomination, "I was that dreadful thing, the veteran Shakespearean British actor. 'British' I could cope with. 'Shakespearean' is meant to be a compliment, but 'veteran'? The implication is I was only good enough to be in plays. That perception I hope now has changed."